Its mostly empty beach is the perfect scenario to Katie, or Saint Maud, a nurse that has recently converted into Christianism. It stands alone as a one of a kind experience, and emerges as one of the best surprises of the London Film Festival to date. I will say that Morfydd Clark plays the central character of Maud rather well, although she’s not given that much in the way of plot to show a slow descent into madness. So you might be tempted to check out the terrifying new trailer that hit YouTube this week, but I'm begging you not to for one very good reason. Learn how your comment data is processed. Comments, Want to see your poll/question here? But whereas William Friedkin’s horror classic makes up for the yawn-inducing opener with a strong final act, Saint Maud never really gets anywhere. The crux of the plot which is about caring for a terminally ill patient is relatively depressing, but the way in which this film is shot and presented (constantly moving the camera which is routinely out of focus) the downcast atmosphere is raised to levels of pretentiousness not seen in the genre since Trey Edward Shults’ similarly overrated, boring, and not-scary-at-all It Comes at Night. What Went Wrong With... Once Upon A Time In Hollywood? What Went Wrong With... And What Is Wrong With... Priti Patel? Fortunately both star Morfydd Clark and writer/director Rose Glass have weighed in with their explanations for the film’s final moments. R/HORROR, known as Dreadit by our subscribers is the premier horror entertainment … First the title character, played by Morfydd Clark, murders her former patient Amanda in a gruesome fashion, appearing to grow golden angel wings shortly afterwards. It leads up to this cathartic moment with the character and then smacks you around the face with it.”. Heavenly Spoilers. This explains the inclusion of William Blake’s art (made famous in Hollywood by Manhunter and Red Dragon) because he was someone who was against organised religion. But whereas William Friedkin’s horror classic makes up for the yawn-inducing opener with a strong final act, Saint Maud never really gets anywhere. We earn a commission for products purchased through some links in this article. Saint Maud unlike these two films, doesn’t ever feel emotional or satisfying at any point. You’ve been having a bit of a giggle thinking ‘isn’t she strange’, but anybody who does anything as extreme as that must be suffering. "There are moments during the film where somebody could have stepped in and done something different and maybe things would have worked out very differently, but they didn't and it was too little, too late. . A potentially artistic and touching inclusion of angel wings (which could have been poignant during the fire scene) are shown to the audience too early which makes the final pre-credit image a little anti-climactic and a tad forgettable. Films like, could easily find a bigger audience given the right sort of marketing. You may be able to find more information about this and similar content at piano.io, Rebecca ending explained by director Ben Wheatley, Utopia season 2: Everything you need to know, Vikings star new show raises major WTF questions, Boys in the Band cast address Alan question, BBC's Us finale ends differently in the book, Tenet explained: Decoding Nolan's spy thriller, DIGITAL SPY, PART OF THE HEARST UK ENTERTAINMENT NETWORK. Submit one today. 2.1m members in the horror community. Note: heavy spoilers for Saint Maud ahead in the rest of this article.
In that climactic scene, Maud appears to believe that she really is saving Maud’s soul, hence her apparent growth of angel wings – but the truth is simply that she has murdered a sick woman. Glass continued: "To me, regardless of her relationship with God, this is obviously a young woman who needed help way before this. Is it about how humans become either existential or find faith in times of pain and grief? But alas, the industry would rather see their filmic middleman die a terrible death whilst promoting a handful of shite streaming services. The new Saint Maud trailer reveals several of those powerful moments, spoiling some key scenes without the necessary context. The cinematography by Ben Fordesman and music by Adam Janota Bzowski isn’t much better than the direction; it’s all created with the intention of being brooding and eerie but it falls short every time it matters. Saint Maud is airing at the London Film Festival this month and you can watch a clip from the film here. Access the latest edition with a 1-month free trial, only on Apple News+. Saint Maud is a “psychological” horror film about a palliative care nurse named Maud (played by Morfydd Clark).
Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. ( Log Out / What bothered me the most however, is the idea of pain and its relation to the narrative. It might be all of these things, it might be none of these things but who can tell in such a lacklustre flick? Saint Maud (2019) Parents Guide Add to guide . Saint Maud director Rose Glass has broken down the stunning final shot from the lauded new horror film. The story quickly goes off the deep end from there in some unexpected and twisted ways. The horror movie is written and directed by a woman, Rose Glass, and when you watch the movie, you can understand why she enjoys attending these screenings.
That’s not necessarily a bad thing – directors ranging from John McTiernan to Ridley Scott have made unimpressive debuts but gone on to make classics – I wish critics would stop blowing smoke cartridges up all new filmmakers’ arses. For example; isn’t a saint supposed to be responsible for or be able to perform a miracle? The comparisons between Saint Maud and that film end with the fact that the first act of both movies is as dull as holy dish water. If a character is going to revel in their suffering (Maud says “never waste your pain”) and therefore follow the example of Jesus, maybe don’t at the same time give handjobs in toilet cubicles and bang random strangers you meet whilst inebriated. We hope you enjoy your stay. Is it a comment on end of life care, lapsed Catholics, demonic possession, madness, escaping one’s past, or salvation? Speaking to Film Ink, Clark said, “I do love the idea that different people watching this will pick up on loads of different things depending on what their connection is with religion. Saint Maud is simply: a bit crap. The finished film makes any and all of these topics redundant. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on WhatsApp (Opens in new window), Click to share on Skype (Opens in new window), Click to share on Telegram (Opens in new window), Click to share on Pocket (Opens in new window), Click to email this to a friend (Opens in new window). Meanwhile Glass told Esquire that the ending could be a little more open to interpretation. Digital Spy has launched its first-ever digital magazine with exclusive features, interviews, and videos. and they certainly aren’t awe-inspiring (or hair-raising) in the early-’20s. We decided to sit down with Rose Glass to chat about Saint Maud's ending and what it means for her, so there are major spoilers ahead. var authorcode='MJ'; We bring you a comprehensive and up to date spoiler service on all the major US TV shows and Movies. Regardless of the acting talent involved, the film at 83 minutes takes too long to get going and the scares are too short to compensate. You could get the same kind of thing through any group you join.”. “Clark, too, proves that she’s up there with our finest young actors – which bodes well for Amazon’s anticipated The Lord Of The Rings series, in which she plays a young Galadriel. SPOILERS AHEAD.
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That’s not necessarily a bad thing – directors ranging from John McTiernan to Ridley Scott have made unimpressive debuts but gone on to make classics – I wish critics would stop blowing smoke cartridges up all new filmmakers’ arses. MPAA: Rated R for disturbing and violent content, sexual content and language: Certification: Australia:U18+ (festival rating)
The clash between good and evil, heaven and hell is never as clear as it has been painted in the past and the film pushes boundaries in both the characters and the audience, but every moment feels necessary, with no need for anything to be extra gratuitous for necessary reasons.
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